It’s intriguing and attractive except for the cover, which is unaccountably a freehand rendering of dots. More could be said about the book as an object. With secret spring, oneyco without transition, myself in an even If you open the book wide, and try to read everything you see, you get an attractive chaos: The words and punctuation marks are appended to that framework, like the tabs in an extruded-plastic toy. You see that each page is constructed as a rectangular frame of paper, made sturdy by five or six horizontal strips. The edges of the empty pages are filled with words, which sit on little shelves of paper leaning out into the space. If you flip through the pages you see the empty spaces that tunnel down through the book. Then - a separate issue, and the separation is the problem - there’s the story that can be read on each page, in sequence, as a book is usually read.Īs an object, the book is very attractive. So there’s the physical book itself, the thing, which needs to be understood. Each page of this book is perforated, die-cut, so you see through parts of it, and read phrases, words, parts of words, and punctuation marks deep into the book.
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